Fogg Art Museum/Harvard Art Museums, Cambridge/Art Resource | Claude Monet: Gare Saint-Lazare: Arrival of a Train, 1877
Tony Judt | 23 December 2010
More than any other technical design or social institution, the railway stands for modernity. No competing form of transport, no subsequent technological innovation, no other industry has wrought or facilitated change on the scale that has been brought about by the invention and adoption of the railway. Peter Laslett once referred to “the world we have lost”—the unimaginably different character of things as they once were. Try to think of a world before the railway and the meaning of distance and the impediment it imposed when the time it took to travel from, for example, Paris to Rome—and the means employed to do so—had changed little for two millennia. Think of the limits placed on economic activity and human life chances by the impossibility of moving food, goods, and people in large numbers or at any speed in excess of ten miles per hour; of the enduringly local nature of all knowledge, whether cultural, social, or political, and the consequences of such compartmentalization.
Above all, think of how different the world looked to men and women before the coming of the railways. In part this was a function of restricted perception. Until 1830, few people knew what unfamiliar landscapes, distant towns, or foreign lands looked like because they had no opportunity or reason to visit them. But in part, too, the world before the railways appeared so very different from what came afterward and from what we know today because the railways did more than just facilitate travel and thereby change the way the world was seen and depicted. They transformed the very landscape itself.
##### Tony Judt | 23 December 2010
More than any other technical design or social institution, the railway stands for modernity. No competing form of transport, no subsequent technological innovation, no other industry has wrought or facilitated change on the scale that has been brought about by the invention and adoption of the railway. Peter Laslett once referred to "the world we have lost"--the unimaginably different character of things as they once were. Try to think of a world before the railway and the meaning of distance and the impediment it imposed when the time it took to travel from, for example, Paris to Rome--and the means employed to do so--had changed little for two millennia. Think of the limits placed on economic activity and human life chances by the impossibility of moving food, goods, and people in large numbers or at any speed in excess of ten miles per hour; of the enduringly local nature of all knowledge, whether cultural, social, or political, and the consequences of such compartmentalization.
Above all, think of how different the world looked to men and women before the coming of the railways. In part this was a function of restricted perception. Until 1830, few people knew what unfamiliar landscapes, distant towns, or foreign lands looked like because they had no opportunity or reason to visit them. But in part, too, the world before the railways appeared so very different from what came afterward and from what we know today because the railways did more than just facilitate travel and thereby change the way the world was seen and depicted. They transformed the very landscape itself.
